prof. dr hab. Ewa Kębłowska-Ławniczak

prof. dr hab. Ewa Kębłowska-Ławniczak
Zakład Zakład Literatury Angielskiej i Studiów Porównawczych
email
Konsultacje http://www.ifa.uni.wroc.pl/dla-studenta/office-hours/?lang=pl
Biogram

Ewa Kębłowska-Ławniczak

Prof. dr hab.

 

Kontakt

IFA, pokój 202

Tel: +48 71 3752768


Stopnie naukowe i stanowiska

2015:    profesor tytularny 

2007:     profesor nadzwyczajny Uniwersytetu Wrocławskiego

2005:     doktor habilitowany nauk humanistycznych w zakresie literaturoznawstwa Wydział Filologiczny, Uniwersytet Wrocławski

1991:     doktor nauk humanistycznych Wydział Neofilologiczny, Uniwersytet im. A. Mickiewicza w Poznaniu

 


Funkcje organizacyjne

1993-2002: wice-dyrektora ds. dydaktyki,  wice-dyrektora ds. ogólnych Instytutu Filologii Angielskiej,

Kierownika Studiów Wieczorowych (niestacjonarny) na poziomie licencjackim oraz magisterskim,

Kierownik Zakładu Literatury Angielskiej i Amerykańskiej

Kierownik Zakładu Literatury Angielskiej i Studiów Porównawczych

2007:  The German Society for Contemporary Theatre and Drama in English

2012-2018: Przewodnicząca Zarządu PASE (Polish Association for the Study of English)

2012-2018: Członek Zarzadu ESSE (European Society for the Study of English)

2016 -        Członek Senackiej Komisji Nauki

Kierownik Zakładu Literatury Angielskiej i Studiów Porównawczych

 

Specjalność i aktualne zainteresowania badawcze

historia literatury angielskiej

kulturoznawstwo, miasto w literaturze i kulturze

literatura angielska

literaturoznawstwo angielskie, dramat, teatr i media


 

studia porównawcze i transkulturowe

geografia kulturowa

miasto i obraz miasta w literaturze i kulturze

przestrzeń i miejsca literackie

polityka a literatura

kultura wizualna i literatura, dramat w języku angielskim

 

 

Dydaktyka

Wykład:  Historia Literatury Angielskiej  do 1700
              
Representations of the City in Literature, Non-fiction and Visual Culture

Seminarium: Konstruowanie, reprezentacja i rozumienie miasta na przykładach  wyjętych z literatury anglojęzycznej

Proseminarium: Adaptacje i/lub apropriacje: text/text oraz text/film
                        Cities in literature, film and podcast: acropolis, necropolis, and borderlands

 

 

 

 

Wybrane pozycje bibliograficzne

 

Książki

 

2013 From Concept-City to City Experience: A Study in Urban Drama, Wrocław: Oficyna Wydawnicza Atut.

 

2004 The Visual Seen and Unseen: Insights into Tom Stoppard’s Art. Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego.

 

1994  Shakespeare and the Controversy over Baroque, Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego.

 

Artykuły


“Fear of Multilingualism and the Uses of Nostalgia in Ivan Vladislavić’s The Restless Supermarket” (to be published)

“Caryl Churchill's artificial and orificial bodies: Between subjective and nobody's emotion or affect”, (to be published)

“The Politics of Looking Back: Negotiating the Thatcher Legacy”, (to be published in 2017)

"From a Politics of Nation to a Politics of Citizenship", Diversity and Homogeneity. The Politics of Nation, Ethnicity and Gender. Ed. Joanna Kruczkowska and Paulina Mirowska. Newcastle: Cambridge Scholars. 2016.7-23.

"Gentrification, Revitalisation and Storytelling: Constructions of the East End in Selected Writings by Philip Ridley," Moderne Sprachen,Vienna 2015 (59.2), 149-165.

“Forms of Togetherness in Contemporary Urban Drama,” Interactions Journal (Ege University), 2014.

 

“Towards political theatre: from commodification to communal art: ‘above sex ... above politics,’ ” Crossroads in Literature and Culture (ed.) Jacek Fabiszak et al. Heidelberg: Springer Verlag Berlin, 2013.

 

“Eroticism in and of the City: The Question of Approach,”Text Matters: A Journal of Theory and Culture, No. 3, Eroticism and Its Discontents, 2013.

 

“Troping the City of Johannesburg in Portrait with Keys by Ivan Vladislavić," Studia Anglica Wratislaviensia 50, 2012.

 

“Urban Drama and De/Reterritorialisation: The Question of Approach,” in: Change and Challenge ed. Murat Erdem, Lois R. Helmbold, Atilla Silkü, Esra S. Öztarhan Izmir, Bornova: Ege Üniversitesi Basımevi, 2012.

 

“Caryl Churchill’s Dream Matrix: Representation/Intervention and Its Discontents,” Readings English and American Literature and Culture. Ilona Dobosiewicz and Jacek Gutorow(ed.) Wydawnictwo Uniwersytetu Opolskiego: Opole 2010.

 

“Writing London in Neil Gaiman’s Neverwhere," Alternate Life-Worlds In Literary Fiction (ed. Ewa Kębłowska-Ławniczak, Zdzisław Wąsik and Teresa Bruś). Philologia Wratislaviensia: Acta et Studia vol.6 Wrocław: Philological School of Higher Education School Publishing, 2010.

 

“Locating the country/city dichotomy in the plays of Martin Crimp,” Studia Anglica Wratislaviensia 48, 2010.27-36.

 

“’Monuments to orderly understanding’ or the Rhetoric of Collecting in Some Modern Plays,” Studies in English. Proceedings of the International Conference of English and American Studies 7-8, 2009. Silesian University of Opava. Czech Republic. (ed.) Michaela Nahlikova and Marie Crhova. Slezka Univerzita w Opave: Opava 2010. 428-447.

 

“The Exhibited in the Order of Exhibition: Adaptations for the Stage,” Exploring Space: Spatial Notions in Cultural, Literary and Language Studies: Volume 1: Space in Cultural and Literary Studies. Ed. Andrzej Ciuk and Katarzyna Molek-Kozakowska. Newcastle: Cambridge Scholars  Publishing, 2010. 290-299.

 

“Pilgrim’s Progress in John Webster’s The Duchess of Malfi,Studies in English Drama and Poetry. Vol 2. Uniwersytet Łódzki 2010. 57-74.

 

“The uses and abuses of language – groping for the boundary,” Zeszyty Wydziału Humanistycznego. Vol. 3.Zdzisław Wąsik, Józef Zaprucki (red.) Jelenia Góra: Kolegium Karkonoskie w Jeleniej Górze, 2009.

 

“Adaptations of Visual Material: Paintings, Drawings and Maps,”  Adaptations. Performing Across Media and Genres. Monika Pietrzak-Franger and Eckart Voigts-Virchow (eds.). Contemporary Drama in English (Trier).Vol. 16. 2009.

 

“The Alchemy of the Body: Transformation and Resistance in a Selection of Modern Plays,” The Body. Readings English and American Literature and Culture 2. Ilona Dobosiewicz and Jacek Gutorow (ed.) Wydawnictwo Uniwersytetu Opolskiego: Opole, 2009.

 

“Imagining the City of Man in Arnold Wesker’s Their Very Own and Golden City,Images of the City. (ed.) A. Rasmus and M.Cieślak. Newcastle: Cambridge Scholars Publishing, 2009.

 

“The Question of Probing Boundaries, Estimating Distances and Establishing Bearings in a Selection of Postmodern Plays,” Pase Papers 2008. Studies in Culture and Literature. Wrocław: Oficyna Wydawnicza Atut, 2009.

 

“The Paranoid Eye and the Panoptic Eye of Surveillance,” Drama Criticis,(eds) Schoenberg Thomas J., Lawrence J. Trudeau Gale (Cengage Learning), 2008.

 

“The Theatrical/Dramatic „Geographies”: The Dilemma of Place and Space,” Literature and/in Culture. Towarzystwo Naukowe KUL Jana Pawła II, Lublin, 2008.

 

“The question of the  theatrical and the panoptic, with reference to The Treatment and Long Day’s Journey into Night,Pase Papers 2007. Vol 2. Studies in Culture and Literature. W.Kalaga, M. Kubisz, J.Mydla (ed.). Katowice: Agencja Artystyczna PARA, 2008.

 

“Approaching Nomad Communities and Concepts, with Reference to Handbag and Mnemonic,Community and Nearness. Readings in English and American Literature and Culture, ed. Ilona Dobosiewicz and Jacek Gutorow, Uniwersytet Opolski, Opole, 2007.

 

Tableaux Vivants or Visual Prologues in a Selection of Modern Plays,” Silesian Studies in English 2006 International Conference of English and American Studies. Slezska Univerzita v Opave, 2007.

 

“The Theological and the Protestant Model of Pilgrimage: Insights into Shakespeare,” PWST Wałbrzych. Roczniki Naukowe: Języki Obce vol. XIII, z. 3, 2007.

 

„Wokół projektu Wybrzeża Utopii Toma Stopparda: w poszukiwaniu horyzontów,” Myśl wędrująca. Księga pamiątkowa dla Tadeusza Sławka. Red. Ilona Dobosiewicz, Jacek Gutorow i Ryszard W. Wolny (ed.). Uniwersytet Opolski. Opole, 2006.

 

“Visuality in Early Modern Studies and the Problem of Perspective,” PWST Walbrzych. Roczniki Naukowe: Języki Obce vol. IX, z. 2, 2006.

 

“The Rhetoric of Science and Drama: Beyond the Faustian Myth,”  Studia Anglica Wratislaviensia XLIII, 2005.

 

“Seeing Things and Being Seen: Distorted Scopic Regimes in Some Modern Plays,” Seeing Things: literature and the visual, Papers from the Fifth International British Council Symposium. Publié avec le concours du conseil scientifique de l’Université de Tours. Graat 28,  2005.

 

“Transformations of Spectatorship in the Early and Late Avant-Garde,” Perspectives on Literature and Culture, Wydawnictwo UMCS, Lublin, 2004.

 

“Landscape: a Discussion of Certain Scopic Regimes in Theatre,” Deterritorialisation. Revisioning Landscapes and Politics. Black Dog Publishing: London, 2004.

 

“Legitimation and Its Discontent: The Postmodern Condition in Rosencrantz and Guildenstern,” Studia Anglica Wratislaviensia, vol. XLI, 2003.

 

“The use of biography in two modern plays: The Invention of Love and Antoni S., czyli Wieża Babel” PASE Papers in Literature and Culture: Proceedings of the Ninth Annual Conference of the Polish Association for the Study of English. Gdańsk, 26-28 April 2000. Edited by Joanna Burzyńska and Danuta Stanulewicz. Gdańsk: Wydawnictwo Uniwersytetu Gdańskiego, 2003.

 

“Visual Arts and Drama,” British Drama Through the Ages and Medieval Literature, Jadwiga Uchman, Andrzej Wicher (ed.), Łódź: Wydawnictwo Biblioteka, 2003.

 

“Decomposing Biography in The Invention of Love by Tom Stoppard. Visual and Textual Procedures,” Anglica Wratislaviens XXXVII, 2001.

 

“Skandal w ramach paradygmatu wzrokocentrycznego,” Gender w Humanistyce, red. Magorzata Radkiewicz, Rabid, Krakow, 2001.

 

“W stronę wolności – feministyczne poszukiwania alternatywnej estetyki,” Dylematy Wolności, red. Maria Reut, Oficyna Wydawnicza Politechniki Wrocławskiej, Wrocław, 2001.

 

“Visuality and Textuality in Tom Stoppard’s Landscape Play: Arcadia,” PASE Papers in Literature and Culture. Proceedings of the 8th Annual Conference of the Polish Association for the Study of English, Wrocław, 2000.

 

„Widz i aktor w obrazach postmodernistycznych,” Transformacja, Ponowoczesność Wokół nas i w nas. Katedra Etnologii Uniwersytet Wrocławskiego,1999.

 

“Memory and Forgetting: A Debate on Theatre in Wertenbaker’s Our Country’s Good,Festschrift For Professor Jan Cygan on the Occasion of His 70th Birthday. Edited by Michał Post. Wydawnictwo Uniwersytetu Wrocławskiego. Wrocław,1999.

 

“The Subject in Process: Shelagh Delaney’s A Taste of Honey, Studia Anglica Wratislaviensia XXXIII, Wrocław, 1998.

”Textualizing Subjectivity. The Use of Fictions and Theatricalities in The Magus,” (współautorstwo Anna Cichoń)  Studia Anglica Wratislaviensia XXI. 1996.

“Some Perspectives on Periodization,” Anglica Wratislaviensia, XXV, 1993.

”Symbol – Allegory – Metaphor. Some Remarks on Richard Crashaw’s Sacred Poetry,” Anglica WratislaviensiaXXI, 1991.

 

“The Rhetoric of Ambivalence in Endimion and The Woman in the Moone,”  Studia Anglica Wratislaviensia XVIII, 1990.

 

”On Mannerism and Manneristic Elements in the Early Works of John Lyly,”  Anglica Wratislaviensia XIII, 1984.

Redakcje/ Editirial

Redaktor Serii  Wydawniczej Silesian Studies in Anglophone Cultures and Literature, Peter Lang ( współredakcja z Ryszardem Wolnym).

Vol. 1    Rachael Sumner, Writing from the Margins of Europe. Peter Lang: Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2014. 310 pp.
ISBN 978-3-631-65050-9 hb.  (Hardcover)
ISBN 978-3-653-04105-7 (eBook)

Vol. 2   Katarzyna Karwowska, Literary Spaces in the Selected Works of J.M. Coetzee, Peter Lang: Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2014. VI, 133 pp.
ISBN 978-3-631-65253-4 hb.  (Hardcover)
ISBN 978-3-653-04331-0 (eBook)


Redaktor Naczelny Anglica Wratislaviensia, Uniwersytet Wrocławski od 2013.

Anglica Wratislaviensia [T.] 51. 2013; [T] 52. 2014; [T] 53. 2015


Spectrum of Emotions; From Love to Grief. Ed. W. Drąg and Ewa Kębłowska-Ławniczak, Peter Lang 2016.

Alternate Life-Worlds In Literary Fiction (red. Ewa Kębłowska-Ławniczak, Zdzisław Wąsik and Teresa Bruś). Philologia Wratislaviensia: Acta et Studia, Wrocław, 2010.

Pase Papers. Studies in Culture and Literature, (red. Ewa Kębłowska-Ławniczak),Wrocław: Oficyna Wydawnicza Atut, 2009.

PASE Papers in Literature and Culture. Proceedings of the 8th Annual Conference of the Polish Association for the Study of English (red. Ewa Kębłowska-Ławniczak),Wrocław, 2000

 

 

Członek Redakcji Naukowych

 

Anglica Wratislaviensia,

Explorations: A Journal of Language and Literature, University of Opole

Interactions, Ege University Press

Prace Komisji Nauk Filologicznych Oddziału Polskiej Akademii Nauk we Wrocławiu I. Oddział PAN we Wrocławiu

Academic Journal of Modern Philology, Polish Academy of Science, Wrocław Branch, 2012

A/R/T Journal.  Analyses, Readings, Theories: A Journal Devoted to Literature, Film and Theatre. University of Łódź.


Udział w konferencjach i warsztatach od 1999

1999.  Wrocław .Visuality and Textuality in Tom Stoppard’s Landscape Play: Arcadia.

1999 . Wrocław. Widz i aktor w krajobrazie postmodernistycznym.Ponowoczesność wokół nas i w nas, Instytut Etnografii i Etnologii,

2000. Gdańsk.  The Invention of Love and Antoni S. czyli Wieza Babel.

2001. Edinburgh. Landscape and Politics.“Landscape: a Discussion of Certain Scopic Regimes in Theatre,”

2001. Kraków. Gender Studies,“ Skandal w paradygmacie wzrokocentrycznym.”

2001. Seeing Things: Interdisciplinary Symposium on Literature and the Visual. 5th British

Council Symposium in English Studies in Europe. University of Tours. September, Tours.

“Seeing Things and Being Seen: Distorted Scopic Regimes in Some Modern Plays.

2001. Łódź. Drama Through Ages, Łódź.  “Visual Arts and Drama” ,

2002. Kazimierz. “Transformations of Spectatorship in the Early and Late Avant-Garde”

2002. Strasbourg. “Old, New and Belated Avant-Garde: From Inter-Art to a Politics of Vision.”

2003. Międzeszyn [Uniwersytet Warszawski].“Reconstructing the Concept of the Modern Visual Field: Vision, Spectator and Object.”

2004. “The Rhetoric of Science and Drama: Beyond the Faustian Myth.”

2005. Łódź. British Drama Through the Ages. “Pilgrim’s Progress in John Webster’s The Duchess of Malfi

2005. Wrocław “Jesień i zima ze sztuką brytyjską”[Instytut Historii Sztuki, Uniwersytet Wrocławski oraz The British Council, Warsaw]. Tom Stoppard:  Interplay of Art and Drama.

2006. Lublin. The Theatrical/Dramatic “Geographies”: The Dilemma of Place and Space.”

2006. Opava. Czechy “Tableaux vivants or visual prologues in a selection of modern plays.”

2007. Szczyrk. [Uniwersytet Śląski] “The Question of the  Theatrical and the Panoptic, with reference to The Treatment and Long Day’s Journey into Night.

2007. Heidelberg. Contemporary Drama in English

2007. Łódź. British Drama Through Ages/ Medieval Studies."Imagining the City of Man in Arnold Wesker’s Their Very Own and Golden City"

2008. Wrocław.“The question of mapping, probing boundaries, estimating distances and establishing bearings in a selection of postmodern plays.”

2008.Attendorn , Germany“Adaptations of visual material: paintings, drawings and maps.”

2008. Jelenia Góra,“The uses and abuses of language in Tom Stoppard’s earlier plays

2008. Opole.“The Exhibited in the order of exhibition: Adaptations for the Stage.”

2009. Opava. SILE.“Monuments to orderly understanding” or the rhetoricof collecting in some modern plays”

2009. Wiedeń. Martin Crimp: Transgressions.

2010. Kalisz: "From commodification to communal art: “above sex … above politics”

2010 Wroclaw. Alternate Construals “Writing London in Neil Gaiman’s Neverwhere,

Torun 2011. In Comparison: Juxtapositions, Correspondences, and Differentiations in English Studies,: “Changing urban territories in contemporary English drama”

2011. Izmir (Bornova). Change and Challenge. “Urban Drama and De/reterritorialisation: The Question of Approach”

2011. Łódź. Eroticism and Its Discontents :“Eroticism in and of the City: Insights into Modern Drama” (Kenote Lecture)

2012.Krakow. Old Challenges New Horizons:Shooting Nostalgia with the Past with Urban Nostalgia”

2012. Opole. Excess: "In Search of Eroticism in Urban Drama" (Kenote Lecture).

2013. Warszawa. Face to face and side by side: "Forms of togetherness and the return of

direct address in contemporary urban drama"

2013. Sopot.  In-between/pomiędzy."The Politics of Looking Back: Negotiating the Thatcher Legacy"(plenary lecture)

2013.Lublin.  Diversity and Homogeneity,"From a Politics of Nation to a Politics of Citizenship"

2014. Kosice (Slovakia)."The Changing Paratextual Practice in the Selected Editions of Contemporary Drama." Konferencja European Society for the Study of English. Seminar: The Changing Facets of Paratexts .

2014. Lublin. Visions and Revisions. "Cultural Constructions of East End in the Selected Writings of Philip Ridley: Visions and Revisions."

 

Stypendia:

Oxford University, Warwick University (British Council), Londyn (British Council), Uniwersytet w Tybindze; Drezno (DAAD);

 

Członkostwo w stowarzyszeniach naukowych

Polish Society for the Study of English (Kraków)

European Society for the Study of Englis (Zurich)

The German Society for Contemporary Theatre and Drama in English

 

Recenzje wydawnicze publikacji zwartych po 2008

Litter, Waste and Rubbish. red. Tadeusz Rachwał . Szkoła Wyższa Psychologii Społecznej. 2008

Mariusz Marszalski. The Metaphysical Perspective in the Drama of Sam Shepard, David Rabe and David Mamet. Wydawnictwo Uniwersytetu Wrocławskiego. 2009.. (recenzja pracy habilitacyjnej do druku).

Stankomir Nicieja, In the Shadow of the Iron Lady: Thatcherism as a Cultural Phenomenon and Its Representation in the Contemporary British Novel. Wydawnictwo Uniwersytetu Opolskiego.2011.

This Thing of Darkness: … Ryszard Wolny, Stankomir Nicieja i Andrzej Ciuk (red.) Wydawnictwo Uniwersytetu Opolskiego. 2012

Ryszard Wolny, Patrick White: Australia's Poet of Mythic Landscapes of the Soul: Man, Language, Autobiography , 2013. rec. wydawnicza monografii, 2013

Cornucopia red. Ryszard Wolny, Stankomir Nicieja, 2014.

 

Inne doświadczenia zawodowe

2008 Organizator Konferencji PASE, Wrocław

2014/2015 Organizator Konferencji PASE, Wrocław

Promotor 4 prac doktorskich obronionych z wyróżnieniem

Promotor ponad 120 prac magisterskich

Promotor ponad 100 prac licencjackich

Recenzent szeregu dysertacji doktorskich (7)

Recenzent habilitacji (7)

Recenzent dla szeregu czasopism naukowych oraz konferencji